• Home
  • Pluto's Mirror
  • Scent
  • Protection Oils
  • Projector Session
  • Portfolio
    • Body Work
    • Dollhouse: collaboration with Phoebe Thornock
    • Taking Stock, Taking Leave
    • In Mud & Gold
    • Dreamscapes
    • Love Letters
    • A New Home
    • Crossing The Threshold
    • Trees & Beasts
    • Animalia
  • Baby Gold
  • Shop
  • About
  • Notes
  • Contact
  • Menu

Erin Hiser

  • Home
  • Pluto's Mirror
  • Scent
  • Protection Oils
  • Projector Session
  • Portfolio
    • Body Work
    • Dollhouse: collaboration with Phoebe Thornock
    • Taking Stock, Taking Leave
    • In Mud & Gold
    • Dreamscapes
    • Love Letters
    • A New Home
    • Crossing The Threshold
    • Trees & Beasts
    • Animalia
  • Baby Gold
  • Shop
  • About
  • Notes
  • Contact
IMG_3589.JPG

Spoils

July 29, 2019

I love compost. 

I love decay. 

A Dutch still life, the mound in the garden that tells you the story of my dinner table, weeks old flowers I am reluctant to relinquish, peeling decades of wallpaper. Even the list of synonyms for the word ‘decay’ fascinates me.

IMG_8460.JPG

I was recently diagnosed with acute mold toxicity. All manner of mycotoxins my body has been holding. Refusing to release. An apt metaphor for my life.

I learned from my doctor that often when people have this diagnosis and seek a new, mold-free environment, despite all signs pointing to safety, inevitably, a secret mold is discovered. As if the toxin in their bodies is guiding them. As if the body doesn’t have a say. The mold is governing now. I got chills. It reminded me of the first time I learned about toxoplasmosis. I shared this information with my acupuncturist, who shrugged: of course. She spoke about mold energy as a form of ghost energy. It’s parasitic. It wants what it wants. And it wants to stay. It wants company.

IMG_3590.JPG

Is this why I love a dilapidated house? The residents in this vessel of mine feel welcome? Among kin? Or is it thanks to the Scorpio mask I wear? My x-ray vision? Because this is where the story is? Because when we see decomposition engaging with life, we see the whole of things? 

Prev / Next

Notes